Design Museum Ghent

Jan Breydelstraat, Ghent
2019 - 2023

There is a unique parallel between the central themes of the assignment, which is the quest for broadening. The museum aims to go beyond its current boundaries, and reach and engage people who, to this day, have not yet found their way to the Design Museum.

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The site's perimeter fickle is irregular, and its area is quite limited. In contrast, the building programme is extensive. A museum is expected to have a noticeable presence. However, the narrow Drabstraat and the historic context necessitate a nuanced response in our opinion, with the limitation of the building's height playing a crucial role. The design proposal will effectively 'broaden' the site: Huis Leten, as well as Hotel de Coninck, will become a part of the overall visitor experience.

The museum engages with the city and its visitors. Depending on your location in the city, whether near the Drabstraat, in the inner courtyard, or along the Graslei, the building will appeal to you by showcasing the activities taking place within. It does so purposefully, along carefully placed, wide openings in the facade, such as the shop/café on the ground floor, the workshop space on level +1, or the ‘loft’ on level +4.

The building establishes its presence in the city while demonstrating a profound respect for its surroundings

Urban mining

Transformative action +

Urban mining

To lower the embodied carbon used in the project’s construction and meet the client's brief for the new extension, a lime-cured, local waste brick has been developed and certified for use on the building’s façade.

The building’s façade has been designed to reference the light-toned civic buildings in Gent. The pale coloured brick and white mortar is composed of locally sourced municipal waste streams as aggregate including crushed concrete and white glass with lime as the primary binding agent. All composite materials have been carefully selected to create a white tone. The waste materials are meticulously filtered and sorted at a production centre in the centre of Gent before being pressed into their specified shape and size.

The Gent Waste Brick is cured rather than fired, gaining strength from carbonation. The hydraulic lime captures CO2 from the atmosphere as the bricks cure, sequestering carbon over the life of the building. The design team worked in close collaboration to specify a unique material composition that is low in embodied carbon and will deliver the required strength and resilience for use in external conditions. This fabrication process, coupled with the use of recycled composites results in a brick with 0.17kg CO2e/kg, just 1/3 the embodied carbon of a Belgian clay fired brick.

“Research is one of the core activities of a good designer and a good design museum. As a museum we need to think about the bigger questions such as climate change and to work with people to deliver solutions. We are proud to be the initiator of this research project. The Gent Waste Brick for DING has the possibility to make this world a better place. This makes us all the more excited as we will be the location where the research will result in a new and innovative brick.” 

Katrien Laporte, director Design Museum Gent

In collaboration with

Carmody Groarke, RE-ST

Consultants

Ney, Boydens, Daidalos, BC Materials

Location

Jan Breydelstraat, Ghent

Client

sogent i.s.m. Design Museum Gent

Type

Competition, 1st prize

Program

Extension of the Design Museum Ghent with a new wing and restorations of Huis Leten and Hotel De Coninck

Timing

2019 - ...

Surface

3.400 m2

Budget

€ 12.500.000 excl. VAT

Status

Under construction

Photography

Michiel De Cleene, Cinzia Romanin & Thomas Noceto

'In 2018 the Flemish Government Architect launched an Open Call to extend Design Museum Gent with a new wing, to be sited on the vacant lot on Drabstraat. It was an exciting contest, not least due to the tough schedule and the particularly difficult preconditions of the historic location. The puzzle was solved perfectly by architects from ATAMA, Carmody Groarke, and the architecture and research firm RE-ST, who planned to connect the new building with undervalued existing spaces. Meanwhile, the definitive plans are now in place. And there's an even greater focus on circularity than in the first proposal.'

Pieter T'Jonck Published by Design Museum Gent