Design Museum Ghent
Jan Breydelstraat, Ghent 2019 - 2023
There is a unique parallel between the central themes of the assignment, which is the quest for broadening. The museum aims to go beyond its current boundaries, and reach and engage people who, to this day, have not yet found their way to the Design Museum.
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The site's perimeter fickle is irregular, and its area is quite limited. In contrast, the building programme is extensive. A museum is expected to have a noticeable presence. However, the narrow Drabstraat and the historic context necessitate a nuanced response in our opinion, with the limitation of the building's height playing a crucial role. The design proposal will effectively 'broaden' the site: Huis Leten, as well as Hotel de Coninck, will become a part of the overall visitor experience.
The museum engages with the city and its visitors. Depending on your location in the city, whether near the Drabstraat, in the inner courtyard, or along the Graslei, the building will appeal to you by showcasing the activities taking place within. It does so purposefully, along carefully placed, wide openings in the facade, such as the shop/café on the ground floor, the workshop space on level +1, or the ‘loft’ on level +4.
The building establishes its presence in the city while demonstrating a profound respect for its surroundings
In collaboration with
Carmody Groarke, RE-ST
Consultants
Ney, Boydens, Daidalos, BC Materials
Location
Jan Breydelstraat, Ghent
Client
sogent i.s.m. Design Museum Gent
Type
Competition, 1st prize
Program
Extension of the Design Museum Ghent with a new wing and restorations of Huis Leten and Hotel De Coninck
Timing
2019 - ...
Surface
3.400 m2
Budget
€ 12.500.000 excl. VAT
Status
Under construction
Photography
Michiel De Cleene, Cinzia Romanin & Thomas Noceto
'In 2018 the Flemish Government Architect launched an Open Call to extend Design Museum Gent with a new wing, to be sited on the vacant lot on Drabstraat. It was an exciting contest, not least due to the tough schedule and the particularly difficult preconditions of the historic location. The puzzle was solved perfectly by architects from ATAMA, Carmody Groarke, and the architecture and research firm RE-ST, who planned to connect the new building with undervalued existing spaces. Meanwhile, the definitive plans are now in place. And there's an even greater focus on circularity than in the first proposal.'